The Globalization of the Danish Documentarry. Creative collaboration and modes of global documentaries
Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research › peer-review
In this article I discuss basic dimensions of globalisation and basic documentary modes or prototypes with special reference to Bill Nichols (2001), Carl Plantinga (1997) and Ib Bondebjerg (2014). After having presented this more theoretical context I analyse different dimensions of the globalization through Danish examples, looking at the production context, the thematic, aesthetic and generic modes.. My cases illustrate different modes of addressing the global and also use elements from different basic documentary modes. A special focus is the rise of transnational creative collaboration.
Original language | English |
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Title of host publication | Nordic Film Cultures and Cinemas of Elsewhere |
Editors | Anna Stenport, Arne Lunde |
Place of Publication | Edinburgh |
Publisher | Edinburgh University Press |
Publication date | 30 Aug 2019 |
Pages | 261-279 |
ISBN (Print) | 978 1 4744 3805 6 |
ISBN (Electronic) | 978 1 4744 3808 7 |
Publication status | Published - 30 Aug 2019 |
Series | Traditions in World Cinema |
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- Faculty of Humanities - Dokumentarfilm, Globalisering, dansk film
Research areas
ID: 185071160