Tomb towers and minarets: analysis of symmetries and geometries of Iranian geometrical ornaments of the Seljuq era. Pictorial requiem for the Kharraqan towers
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Ornamental adornment of the Kharraqan tomb towers, the most outstanding funeral monuments of the Seljuk era in NW Iran, and those of four best-preserved Seljuq brick minarets in northern Iran, documents the artistic canon of the pre-glaze stage of Iranian Islamic architecture. Despite some later interruptions, these monuments and their plain-brick ornaments, as well as the ‘virtually interlaced’ brick ornaments, stand at the beginnings of a rich development that led to the Safavid architecture of Iran. Besides documentation and study of the geometric character of early Islamic art, which was based on limited technical resources, this study offers insight into symmetry concepts developed at this stage of art and architecture development. This is the last and most complete study of the Kharraqan towers performed before their overwhelming destruction in the 2002 earthquake.
Original language | English |
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Journal | Rendiconti Lincei |
Volume | 34 |
Pages (from-to) | 703–720 |
ISSN | 2037-4631 |
DOIs | |
Publication status | Published - 2023 |
Bibliographical note
Publisher Copyright:
© 2023, The Author(s).
- Brick patterns, Crystallographic symmetry, Islamic brickwork, Kharraqan towers, Minaret, Seljuk art, Tomb tower
Research areas
ID: 362058289