Artistic practice, public awareness, and the ngahere: art–science–Indigenous Māori collaborations for raising awareness of threats to native forests

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Standard

Artistic practice, public awareness, and the ngahere : art–science–Indigenous Māori collaborations for raising awareness of threats to native forests. / Mullen, Molly; Jerram, Sophia C. R.; Harvey, Mark; Waipara, Nick W.; Athena, Chervelle.

I: Ecology and Society, Bind 28, Nr. 4, 13, 2023.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Mullen, M, Jerram, SCR, Harvey, M, Waipara, NW & Athena, C 2023, 'Artistic practice, public awareness, and the ngahere: art–science–Indigenous Māori collaborations for raising awareness of threats to native forests', Ecology and Society, bind 28, nr. 4, 13. https://doi.org/10.5751/ES-14479-280413

APA

Mullen, M., Jerram, S. C. R., Harvey, M., Waipara, N. W., & Athena, C. (2023). Artistic practice, public awareness, and the ngahere: art–science–Indigenous Māori collaborations for raising awareness of threats to native forests. Ecology and Society, 28(4), [13]. https://doi.org/10.5751/ES-14479-280413

Vancouver

Mullen M, Jerram SCR, Harvey M, Waipara NW, Athena C. Artistic practice, public awareness, and the ngahere: art–science–Indigenous Māori collaborations for raising awareness of threats to native forests. Ecology and Society. 2023;28(4). 13. https://doi.org/10.5751/ES-14479-280413

Author

Mullen, Molly ; Jerram, Sophia C. R. ; Harvey, Mark ; Waipara, Nick W. ; Athena, Chervelle. / Artistic practice, public awareness, and the ngahere : art–science–Indigenous Māori collaborations for raising awareness of threats to native forests. I: Ecology and Society. 2023 ; Bind 28, Nr. 4.

Bibtex

@article{b83d0091fa854259b66541d848b9722d,
title = "Artistic practice, public awareness, and the ngahere: art–science–Indigenous Māori collaborations for raising awareness of threats to native forests",
abstract = "We build a rationale for a nuanced approach to raising public awareness of ecological threats through interweaving art, science, and Mātauranga Māori (Indigenous Māori knowledge). The thinking we present emerges from the first phase of a transdisciplinary project, Toi Taiao Whakatairanga, which explores the ways the arts can raise public awareness of two pathogens that are ravaging native trees in Aotearoa New Zealand: Phytopthora agathidicida (kauri dieback) and Austropuccinia psidii (myrtle rust). One of our first steps in the project was to explore understandings of {"}public” and “awareness” and their relevance to Aotearoa{\textquoteright}s ecological, cultural, and political context. This collective task was about developing theory to guide the second phase of the project, in which we would commission nine Māori artists to create new works about kauri dieback and/or myrtle rust. One of the key outcomes of our collective inquiry was a realization of the limits of certain conceptions of public awareness in the settler–colonial contexts. For example, conceptions based on an unproblematized definition of “public” fail to respond adequately to the rights of Indigenous Māori tribes and subtribes to sovereignty over their lands and taonga species. We identify the need for alternatives to transactional conception of public awareness-raising. This includes alternatives that align with te ao Māori (Māori worldviews) and allow for a lack of consensus about the nature of an ecological threat or the required response. We propose that mātauranga Māori and arts practices can be combined with colonial science knowledge to promote different awarenesses in ways that are responsive to difference audiences, acknowledge different knowledge systems, hold space for contested/provisional knowledge, and support the mana motuhake of iwi/hāpū and the ngahere.",
keywords = "Aotearoa New Zealand, arts practice, colonial science, ecological threats, Indigenous knowledge, public awareness",
author = "Molly Mullen and Jerram, {Sophia C. R.} and Mark Harvey and Waipara, {Nick W.} and Chervelle Athena",
note = "Publisher Copyright: {\textcopyright} 2023, Resilience Alliance. All rights reserved.",
year = "2023",
doi = "10.5751/ES-14479-280413",
language = "English",
volume = "28",
journal = "Ecology and Society",
issn = "1708-3087",
publisher = "Resilience Alliance",
number = "4",

}

RIS

TY - JOUR

T1 - Artistic practice, public awareness, and the ngahere

T2 - art–science–Indigenous Māori collaborations for raising awareness of threats to native forests

AU - Mullen, Molly

AU - Jerram, Sophia C. R.

AU - Harvey, Mark

AU - Waipara, Nick W.

AU - Athena, Chervelle

N1 - Publisher Copyright: © 2023, Resilience Alliance. All rights reserved.

PY - 2023

Y1 - 2023

N2 - We build a rationale for a nuanced approach to raising public awareness of ecological threats through interweaving art, science, and Mātauranga Māori (Indigenous Māori knowledge). The thinking we present emerges from the first phase of a transdisciplinary project, Toi Taiao Whakatairanga, which explores the ways the arts can raise public awareness of two pathogens that are ravaging native trees in Aotearoa New Zealand: Phytopthora agathidicida (kauri dieback) and Austropuccinia psidii (myrtle rust). One of our first steps in the project was to explore understandings of "public” and “awareness” and their relevance to Aotearoa’s ecological, cultural, and political context. This collective task was about developing theory to guide the second phase of the project, in which we would commission nine Māori artists to create new works about kauri dieback and/or myrtle rust. One of the key outcomes of our collective inquiry was a realization of the limits of certain conceptions of public awareness in the settler–colonial contexts. For example, conceptions based on an unproblematized definition of “public” fail to respond adequately to the rights of Indigenous Māori tribes and subtribes to sovereignty over their lands and taonga species. We identify the need for alternatives to transactional conception of public awareness-raising. This includes alternatives that align with te ao Māori (Māori worldviews) and allow for a lack of consensus about the nature of an ecological threat or the required response. We propose that mātauranga Māori and arts practices can be combined with colonial science knowledge to promote different awarenesses in ways that are responsive to difference audiences, acknowledge different knowledge systems, hold space for contested/provisional knowledge, and support the mana motuhake of iwi/hāpū and the ngahere.

AB - We build a rationale for a nuanced approach to raising public awareness of ecological threats through interweaving art, science, and Mātauranga Māori (Indigenous Māori knowledge). The thinking we present emerges from the first phase of a transdisciplinary project, Toi Taiao Whakatairanga, which explores the ways the arts can raise public awareness of two pathogens that are ravaging native trees in Aotearoa New Zealand: Phytopthora agathidicida (kauri dieback) and Austropuccinia psidii (myrtle rust). One of our first steps in the project was to explore understandings of "public” and “awareness” and their relevance to Aotearoa’s ecological, cultural, and political context. This collective task was about developing theory to guide the second phase of the project, in which we would commission nine Māori artists to create new works about kauri dieback and/or myrtle rust. One of the key outcomes of our collective inquiry was a realization of the limits of certain conceptions of public awareness in the settler–colonial contexts. For example, conceptions based on an unproblematized definition of “public” fail to respond adequately to the rights of Indigenous Māori tribes and subtribes to sovereignty over their lands and taonga species. We identify the need for alternatives to transactional conception of public awareness-raising. This includes alternatives that align with te ao Māori (Māori worldviews) and allow for a lack of consensus about the nature of an ecological threat or the required response. We propose that mātauranga Māori and arts practices can be combined with colonial science knowledge to promote different awarenesses in ways that are responsive to difference audiences, acknowledge different knowledge systems, hold space for contested/provisional knowledge, and support the mana motuhake of iwi/hāpū and the ngahere.

KW - Aotearoa New Zealand

KW - arts practice

KW - colonial science

KW - ecological threats

KW - Indigenous knowledge

KW - public awareness

U2 - 10.5751/ES-14479-280413

DO - 10.5751/ES-14479-280413

M3 - Journal article

AN - SCOPUS:85176336643

VL - 28

JO - Ecology and Society

JF - Ecology and Society

SN - 1708-3087

IS - 4

M1 - 13

ER -

ID: 389671890