Can Participatory Experience Performances Co-create Qualification and Design of Audible Public Realm?

Publikation: Bidrag til bog/antologi/rapport › Konferencebidrag i proceedings › Forskning › fagfællebedømt

Standard

Can Participatory Experience Performances Co-create Qualification and Design of Audible Public Realm? / Maag, Trond; Munck Petersen, Rikke.

Internoise 2018 Proceedings. 2018.

Publikation: Bidrag til bog/antologi/rapport › Konferencebidrag i proceedings › Forskning › fagfællebedømt

Harvard

Maag, T & Munck Petersen, R 2018, Can Participatory Experience Performances Co-create Qualification and Design of Audible Public Realm? i Internoise 2018 Proceedings.

APA

Maag, T., & Munck Petersen, R. (2018). Can Participatory Experience Performances Co-create Qualification and Design of Audible Public Realm? I Internoise 2018 Proceedings

Vancouver

Maag T, Munck Petersen R. Can Participatory Experience Performances Co-create Qualification and Design of Audible Public Realm? I Internoise 2018 Proceedings. 2018

Author

Maag, Trond ; Munck Petersen, Rikke. / Can Participatory Experience Performances Co-create Qualification and Design of Audible Public Realm?. Internoise 2018 Proceedings. 2018.

Bibtex

@inproceedings{c48d2f5cc40c471da9e213c986fc65b7,
title = "Can Participatory Experience Performances Co-create Qualification and Design of Audible Public Realm?",
abstract = "This paper discusses if experience performances, as part of a multi-sensory approach, can support qualification of public spaces. Based on Participatory Experience Performances, such as sound and experience walks during Capital of Culture Aarhus 2017 and Inter-Noise 2016 in Hamburg done by the authors, this paper discusses the interrelationship between moving, listening andseeing, all equally important for experiencing and shaping the city. The paper suggests the concept of Participatory Experience Performances and discusses if such performances could act as co-creative steps within the city making process. Finally, the promotion of embodied knowledge and language about human sensation and human-site interrelation, particularly in view of acoustically and visually differentiated spaces, which accentuates human becoming, is discussed as truly radical democratic and performative areas of action.",
author = "Trond Maag and {Munck Petersen}, Rikke",
year = "2018",
language = "English",
booktitle = "Internoise 2018 Proceedings",

}

RIS

TY - GEN

T1 - Can Participatory Experience Performances Co-create Qualification and Design of Audible Public Realm?

AU - Maag, Trond

AU - Munck Petersen, Rikke

PY - 2018

Y1 - 2018

N2 - This paper discusses if experience performances, as part of a multi-sensory approach, can support qualification of public spaces. Based on Participatory Experience Performances, such as sound and experience walks during Capital of Culture Aarhus 2017 and Inter-Noise 2016 in Hamburg done by the authors, this paper discusses the interrelationship between moving, listening andseeing, all equally important for experiencing and shaping the city. The paper suggests the concept of Participatory Experience Performances and discusses if such performances could act as co-creative steps within the city making process. Finally, the promotion of embodied knowledge and language about human sensation and human-site interrelation, particularly in view of acoustically and visually differentiated spaces, which accentuates human becoming, is discussed as truly radical democratic and performative areas of action.

AB - This paper discusses if experience performances, as part of a multi-sensory approach, can support qualification of public spaces. Based on Participatory Experience Performances, such as sound and experience walks during Capital of Culture Aarhus 2017 and Inter-Noise 2016 in Hamburg done by the authors, this paper discusses the interrelationship between moving, listening andseeing, all equally important for experiencing and shaping the city. The paper suggests the concept of Participatory Experience Performances and discusses if such performances could act as co-creative steps within the city making process. Finally, the promotion of embodied knowledge and language about human sensation and human-site interrelation, particularly in view of acoustically and visually differentiated spaces, which accentuates human becoming, is discussed as truly radical democratic and performative areas of action.

M3 - Article in proceedings

BT - Internoise 2018 Proceedings

ER -

ID: 196342272